Book Review – The Gathering Dark: An Anthology of Folk Horror

The Gathering Dark: An Anthology of Folk Horror by Tori Bovalino

My rating: 4 of 5 stars



The Gathering Dark is probably one of the best contemporary horror anthologies I have read so far. While this book is marketed to teens and young adults, these stories are some of the creepiest I have read (which further goes to show that, often, middle grade, teen, and young adult books can be better reads than adult books). Although, unlike many adult horror stories, several of these stories have a happy or at least ambiguous ending – it gives the reader hope for the main character.
Each story features a young person, usually a teenager about to go to college, who is trying to live and fall in love or make strong friendships, but something in their lives goes wrong or prevents them from living a somewhat normal life. Usually that preventative thing is something of the supernatural, often with an evil presence. Each story definitely takes something from folklore, though it is sometimes difficult to know what aspects of folklore or cultures they come from (unless explicitly said by the author). What I love about most of these folkloric tales, though, is that all of them have something to do with death or with the dead. To me, there are no creepier stories, nor stories that tell more truths about the nature of humanity.
I loved the atmosphere in these stories, the feeling of being trapped while simultaneously seeing an escape just around the corner. I liked the sense of leaving something behind, whether it is the thing that creates the horror, or an old life traded for a new and improved one. I also love that several of these stories feature lgbt protagonists. Every story was so well-written, I want to check out more stories written by these authors. I recommend this anthology to anyone who wants a good and creepy atmosphere.

This is the end of my short review. In the next section, I will review individual stories, which means there might be spoilers.


Stay by Erica Waters

This is, in my opinion, the saddest story of the whole collection. A young woman, who takes care of her grandmother and cousin by herself, also has to tend to the spirits in their family’s graveyard, else they drag her down into her own grave. Our protagonist wants to leave this town, wants to have a relationship with the beautiful daughter of her boss. What she doesn’t realize, though, is that she has been tending to the dead more than she realized. This is a story about grief, and how memories and loved ones stay with us, long after they have departed. It is also a story about remembering to live, which, in times of grief, is hard to do. I loved the way this story was written and, though it was short, you could feel all the emotions put into it. Definitely my favorite story of this anthology. I am not sure what folklore this is based on, though I would guess it is based on Hispanic/Latino folklore (but please correct me if I’m wrong).


The Tallest Poppy by Chloe Gong

This story had so much potential to be the creepiest ever, but it feels like the author didn’t see it through. This story has the creepy, perhaps haunted house with a curse apparently on it. Our protagonist goes to work and live at this house as a nanny, and she knows that whoever lives there has died pretty quickly. No one, however, knew why. She starts to work there and you have the elements of a haunted house: sleepwalking family members, seemingly in a trance; haunted dolls; and perhaps a haunting connection with the sea. That last bit was what I wish the author had gone into more. The main character says over and over that the sounds of the sea drive her nuts, and then she starts having hallucinations of drowning. But then the author makes the villain, or haunting presence, the dolls and the house, with no real connection to the sea. The folklore isn’t really explained. Again, so much potential, but this story felt a bit messy.


Loved by All, Save One by Tori Bovalino

Now this is a story for long winter nights. This story has everything: a vengeful ghost, kids trapped in a house on their own in the middle of nowhere. There is so much suspense in this story because you can imagine being one of those kids, alone in the dark house, jumping at every little noise that could be a ghost or a burglar. And, speaking as someone who lives in one of the coldest places on earth, there is no worse feeling than being surrounded by a whiteout of snow. What I love about this story, though, is that instead of just a figure of malice and revenge, the vengeful ghost acts as a protector too. We need more stories where the vengeful spirit acts out of a desire to protect and prevent the past from repeating itself, rather than just being angry for the sake of being angry (although those stories can be very suspenseful too). Unfortunately, though, this is another one of those stories in which someone gets left behind in order for the others to live.


One-Lane Bridge by Hannah Whitten

This story reminded me of the Alton Bridge in Texas, you know, the one that Ryan and Shane stole from the demon? I do wonder if the bridge in this story is supposed to be based on Alton Bridge. It wouldn’t surprise me, though bridges are often sites of hauntings and demons, as they are somewhat liminal spaces – places for transition. We follow a group of highschoolers in their senior year. The protagonist of this group has been cheated on by her boyfriend, and feels resentful towards him and her friend group. They go to this bridge to make a deal with the demon who resides there. The protagonist, however, does not finish her deal in time, and the demon, who really feeds on fear and the blood of the living, plagues her friends to kill her and give the demon her blood. I sort of wish the story went more into the folklore aspects of the bridge, but I know that the purpose of this story is about the strength of friendships (or lack thereof). I thought the atmosphere around the bridge was very well-written. However, I think I just wasn’t as keen on the plot overall. I think this could be a better story if it were longer. But other than that, give me a spooky demon bridge any day.


Ghost on the Shore by Allison Saft

This ghost story reminds me of stories about the woman in the well, or the lady in the lake (not the Arthurian versions), wherein the dead come back from a watery grave to see to unfinished business they left behind. The protagonist knows such stories, and goes to the lake where her beloved has drowned, to tell her of her feelings. But the ghoulish entity of this beloved friend seems wrong to the protagonist, but that doesn’t stop the protagonist from giving the ghoul a lift and trying to talk things out. This is a story about moving on from grief, and a reminder that grief is best shared and experienced with someone who understands. This story has such a gloomy atmosphere, perfect for an undead presence who rises from the water. What I wasn’t thrilled by in this story was that it was a lot of just driving around with the ghoul, instead of getting more into the folklore. Totally relatable story (minus the driving the ghoul around), but I really wanted to know more about the folklore and the history behind the undead that come from the lake in this story.


Petrified by Olivia Chadha

I loved this story. It was atmospheric, it was about trees and a creepy forest! This story has themes of colonization, revenge, and nature. The main characters, who are either indigenous to the land or who settled there before the “bad” colonizers (it’s hard to tell), seek to avenge their stolen land and livelihood by killing those who have or who are related to the ones who have done so. To do this, they use their connection to the forest to help trap their victims. Stories that take place in seemingly haunted forests are some of my favorites. There’s always something ancient and foreboding about the trees that have been on the land forever, and that is, in my opinion, how it should be. This story, actually, would have been a good one for the anthology Weird Woods, if it took place in Britain and not (what I presume is) America. The way it is written, you get such a sense of the darkness in the story, of the possibility of getting lost in the woods and never finding your way out.


Third Burn by Courtney Gould

You could easily imagine that the town this story takes place in is Salem (though it is actually in Oregon, and not Oregon’s Salem). The main character is an outcast from her hometown, though she is back and met without much welcome. She knows she must get out of this town, but the price to do it might be too high. It is definitely dangerous; though, with the help from the ghosts of the witches who were burned in the town long ago, our protagonist might just be able to escape, and maybe become a witch (or a ghost) herself. This is a story about prejudice – prejudice against lower classes, prejudice against women, prejudice against anyone who is different. It is a story in which the Church, as a negative entity, plays a sort of villain or antagonist to our protagonist. It definitely recalls the days of the witch trials, but also reminds us that such prejudices still exist. I have to say, I really disliked everyone in this story, but for good reason. The other characters seemed relentless in their hatred of the protagonist, even though she did her time and was trying to get back to normal. I do wish, though, that there was more interaction with the protagonist and other characters – she only interacts with her former best friend/love interest, and the rest of the feeling from the town is implied. I definitely got VVitch vibes from this story.


It Stays With You by Aden Polydoros

This story is based on the classic Bloody Mary game we would all play as kids in front of a mirror in a dark bathroom. Except, this time, it is not just Bloody Mary who will get you from the mirror, but your own deepest fears. This story struck me as the Bloody Mary game meets Stephen King’s IT, in which the main characters are haunted by their worst fear that threatens to come out of the mirror and destroy them. I can’t say much more except that this story really does have Stephen King vibes, and there is the atmosphere of a creepy carnival that reminds me of Ray Bradbury’s Something Wicked This Way Comes. It wasn’t my favorite story of the bunch, as the paranormal elements were not as ghoulish as I usually like, but that’s just me. This is, essentially, a story about memories, trauma, and moving forward (in this case, the moving forward might include beating a monster up with a baseball bat).


Truth or Dare by Alex Brown

Not going to lie, this story reminds me so very much about a scary story my counselors told me at camp, about some tunnels under UCLA, and the people who went in there. One escaped, and one didn’t, supposedly killed and eaten by a man or creature who lived in the tunnels. This story has a similar premise: tunnels underneath a school, and when two people go in, only one comes back out. In this story, however, the tunnels only appear to someone who has to make a decision, and as a result leave the other person behind in the tunnels. There is some creature or entity in these tunnels that seems to make this possible, and it is implied that this entity does kill the person who is left behind. I really loved the atmosphere in this story. You could imagine the dark and damp of the tunnels, the urge to press on and get out. What I was less keen on – though it is super relatable – is the relationship between the protagonist and the boy she brings with her into the tunnels. They have a very toxic relationship, which is why the decision comes to the protagonist in the form of going into the tunnels. I think the biggest issue I had with the protagonist is that even when she leaves behind the boy in the tunnels, realizes she’s better off without him, she still doesn’t seem to have much agency. I have no doubt that that is done on purpose by the author, and I understand why: the protagonist is supposed to represent all who have to make a decision in the tunnels, and we don’t really know what happens to either party when one escapes with their decision. It makes sense, but I still wish she had more agency. This is just a personal feeling, and one that has no bearing on how good the story actually is.


The Burning One by Shakira Toussaint

This story can easily be summed up as: “girl in a toxic relationship goes feral”. I believe this story uses Caribbean folklore as its basis, which is utterly fascinating and a topic I would love to read more about. Themes in this story include colonization (always a true element of horror and terror), racism, and slavery. I won’t go into too much detail about these themes in relation to the story, but I think you can guess where it’s headed. What I thought was so interesting was the transformation of the protagonist from curious girl to a creature hungry for revenge (literally), was that it is sort of left open to interpretation. One could interpret the transformation as a sort of werewolf or vampiric transformation. Otherwise, the protagonist could simply have just become so overcome with her hunger for revenge that she literally eats those she wants to punish. I am sure there are stories in the folklore that refer to such a transformation or woman, but I am not versed enough yet to make the connection. I very much want to though! The language that Toussaint wrote this story in was very interesting as well. It was English, but a purposefully simple and/or broken English to illustrate the limited worldview of the protagonist. I’m not always a fan of this writing style – it’s a bit hard to read, and it is not always consistent. However, for the purposes of this story, it seems to work.

Thank you so much for reading!






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Book Review – What Moves the Dead by T. Kingfisher

What Moves the Dead by T. Kingfisher

My rating: 3 of 5 stars



What Moves the Dead is a close retelling of The Fall of the House of Usher by Edgar Allen Poe, though Kingfisher adds to the twist at the end with something dark and alien. This book was delightfully creepy, hitting the reader with that gothic atmosphere that is so enthralling. I loved the atmosphere. Fungi must be popular as a horror element of fiction these days (I know there are fungi in Mexican Gothic too), but the way Kingfisher had this novel’s fungi was wonderfully scientific and anatomical – perfect for the early Victorian setting. That paired with the dead, who seem to not be very dead at all, makes for a good old-fashioned spook.

The reason I am giving this book only three stars is that, for me personally, it could have been creepier, and the twist could have been a bit more mysterious. I find that the more you reveal about a horror, the less horrific it is. The less you know about it, the more unknown it is, the scarier it becomes. Not that the dead walking the earth isn’t scary in itself, but we end up finding out the reason, which took the feeling of dread away from me. In Poe’s original story, we really don’t know why the House of Usher and its inhabitants fell, and that is why the story is so creepy and horrific.

Here are some things that Kingfisher added to the story that I did like:
The narrator, the one who goes to visit the House of Usher, is (I’m pretty sure) transgender, with their country having a separate gender for sworn soldiers in a fictional Galacia. I thought that was an interesting bit of lore for this story’s earth.

I did like the characters, and I think Ms. Potter, the amateur mycologist, is my favorite. I wish we saw more of her, but she graces the story as our resident fungus expert. She also takes no nonsense, and I want to be like her that way. I also liked Denton (sp?), who is, at first, kind of a stupid American, but in the most endearing way.

I recommend this book as a pretty good retelling of Poe’s short story. Now that I have read this novel, I look forward to checking out more of Kingfisher’s work.

*I listened to the audiobook on Scribd*



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My Favorite Horror/Spooky Books and Stories (so far)

It’s midwinter, which means it’s time to curl up with a good book. For me, this often means curling up with something spooky or scary. While the Autumn months are my favorite in terms of coziness and spooks, there is something about the dark of Winter that makes me want some darker spooks. If you also like to be spooked in the Winter months, or if you’re just looking for something a little more thrilling, here is a list of my favorite spooky books, stories, and authors so far (have I said “spooky” enough yet?).

The Ghost Stories of Edith Wharton


I love Wharton’s short stories because they have such simple plots and not very complex characters, but what is set to be complex is the darkness and looming memories that might just be living ghosts. I love the idea of staying in an old house in the middle of nowhere, and knowing you are in the middle of some terrific secret. Most of these stories were are set during the time Wharton wrote them, maybe a little earlier, which gives much more tangibility to the stories. So, if you like old, gothic houses full of ghosts and distant memories of the past, then this is the spooky collection for you.

The Haunting of Hill House by Shirley Jackson


The Haunting of Hill House shows the insecurities of a woman, Eleanor, magnified in a house that may be alive, that wants her to stay there forever. Her new companions in the house are trying to determine the supernatural nature of the house, but Eleanor’s connection to the house may tell them all they need to know.
This book, and really anything else by Shirley Jackson, are the most subtly spooky stories I have ever, and likely will ever read. Just as with Edith Wharton, Jackson’s stories focus on the mundane, and how the mundanity gets interrupted by something supernatural, or even preternatural. The fact is, though, no one, characters and readers included, are sure whether the supernatural elements are real or merely a figment of the imagination, and, in my opinion, that is the scariest part of all.

Children of the Corn by Stephen King


I am a huge fan of Stephen King’s shorter works, and I prefer them to his longer works. Children of the Corn is no exception. The short story has a more sinister ending (in my opinion) than any of the movies do (in which, oftentimes, the main characters survive the evils). In the story there is a primeval, eldritch being controlling the children of a small town, and feeding on them when they reach the age of 19 – it will also feed on anything or anyone that goes against it. The story ends with the age limit decreasing by one year, so that everyone who was 18 must now be given to the being in the cornfields.
What I love about this story is that you don’t really know what is going on, what the being is. All you know is that it is something from deep within the earth, and that fact, the fact that something so evil and terrifying could be lying right under your feet, is utterly horrific and wonderful.

The Bloody Chamber by Angela Carter


This is a short story featured in Carter’s collection, The Bloody Chamber and Other Stories, however, I am only focusing on this one story. Based on the fairy tale of Bluebeard, we get the same amount of terror and gore featured in the original tale. However, Carter features women as characters much more prominently, and also makes these women have connections with each other, connections that ultimately defeat the wife-killer. The main character, who marries our Bluebeard, goes through similar trials to the original tale: she must not go in the forbidden room, but ultimately does, finding within the corpses of Bluebeard’s other wives. The main character is to be killed too, but because of her close connection with her mother, she is saved and she and her mother live well ever after.
Carter does a fantastic job keeping the terror of the original story, while giving the women a sense of autonomy and strength. Even if you know the fairy tale well, you will go into this story feeling so much terror and fear for the main character, wondering what she will find in the rooms of the secretive castle.

Something Wicked This Way Comes by Ray Bradbury


This is the most perfect autumnal, spooky story I have ever read. A carnival comes into town, and the kids go see it after hours, but they discover that the people running the carnival are not what they seem. There is something terrifying about the carnival, something primeval and eldritch in the way it causes fear. Can the kids and their allies solve the mysteries of this carnival, and defeat it before it causes any harm?
What I love about this book is that it makes you feel Autumn in all definitions of the season. The coziness of reading a book, the crispness of an Autumn night, the spooky feeling that something unknown is lurking. I think the quote below captures the entire feeling of the book:
“For these beings, fall is ever the normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They frenzy forth….Such are the autumn people.”

Frankenstein by Mary Shelly

We all know this classic story: mad scientist creates monster, monster kills, people kill monster, etc.? Well, not exactly in the book. Mary Shelly’s classic horror story is not just creepy, but it is also quite philosophical in the way that it approaches the monster. Victor Frankenstein (not even a doctor yet!) is a college dropout who wants to find the secret of conquering death after the death of his mother. Of course, he creates the monster, but refuses to care for the creature as his own. From this comes a chase and a dialogue between Frankenstein and the monster, with the monster discovering who he is and what kind of person he should be based on his environment, and based on the actions of his creator.
This is not a terrifying story, but it does make one think deeply about death, life, and the consequences of playing god. What could be more fearful?

Rebecca by Daphne du Maurier

Another classic story, Rebecca is about a young woman who marries Max deWinter, a wealthy man from an old English family, whose wife, Rebecca, died the year before under mysterious circumstances. The young woman enters Max’s life and home, meets his family, friends, and colleagues, but cannot shake the feeling that Rebecca’s never-dying spirit follows and mocks her, as she is compared to the dead woman by everyone she meets. Eventually she solves the mystery of Rebecca’s death, but not without disruption to her whole life.
This is a more modern take on the classic, gothic story of a woman who marries a man with a wife in the attic, metaphorically speaking. Regarding Rebecca’s character, we know she isn’t a ghost, we never see her, neither does the young woman. And yet, Rebecca is always there, a lurking memory in the shadows of Manderly. While this isn’t the spookiest of stories, you get a creeping sense of something as you read.