Twelve Nights at Rotter House is about Felix, a travel writer who writes about haunted places. His goal is to stay in the purportedly haunted Rotter House, or Rotterdam Mansion, for thirteen nights. He doesn’t believe in ghosts. But when he’s joined by his estranged best friend, and believer in ghosts, Thomas, strange things start to happen in the house that even Felix can’t explain.
This was a very enjoyable read, or I guess listen, as I listened to the audiobook on Scribd. It was really good on audiobook, and I recommend reading the book in that way if you can!
Definitely a suspenseful thriller, playing on my favorite ghostly authors like Shirley Jackson, and other haunted media like Vincent Price films and The Twilight Zone.
Here is what I liked about the book (these definitely outweigh the things I didn’t like):
Really suspenseful, and compelling, I sometimes had to stop what I was doing while listening and just listen, eyes wide and waiting for the other shoe to drop in the story.
I love me a good haunted house, and J.W. Ocker really knows how to write a good and spooky haunted house. Filled with creaks and footsteps, disembodied screams, even a severed arm that seemingly came from nowhere. It’s such a classic haunted house story, but with its own horrifying twist at the end.
I liked Felix, the main character. He was not necessarily likeable, but he is relatable, and you do feel for him, you want him to succeed, and you feel so bad if and when he doesn’t. What Ocker also does well is write the characters that we don’t see: Thomas and Felix’s wives; the ghostly inhabitants of the house. You felt like you wanted to get to know them, but at the same time keep them in the shadows.
Here is what I didn’t like so much, or what I was confused by (warning: some spoilers ahead):
In the end we aren’t sure if there are ghosts in the house or not. While it was a good plot device to make that ambiguous, I do kind of wish, for myself alone, that there were definitive ghosts present. I am just going to believe that the ghosts were in fact there.
The twist in the end was good, but the way it was executed was a bit confusing.
SPOILERS BEGIN HERE:
Felix finds out that Thomas was sleeping with his wife, and kills them both at Rotter House. But, why would Thomas and Felix’s wife be there having an affair when they know that Felix is there writing a book? To me that could have been explained better. Actually, I think it might have also been fun if Thomas’ own wife was the murderer. But, I do understand why Ocker ends the story this way. It was definitely thrilling.
All in all, it was a good haunted house story, perfect for this coming autumn, if you are looking for something thrilling and spooky.
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Bulwark is about a sheriff of a town in Georgia of the same name, named Clay, whose daughter was recently kidnapped, leaving his marriage and psyche in shambles. When a car accident leaves two people rambling about witches and stolen children, Clay starts to wonder if there is a connection to the kidnapping of his child.
As any of you know, I’m a sucker for a good ghost story, and for witches, so you can understand why I was drawn in by this book. I also love me a good novella.
I would say this book started off very strong. It set a tragic scene, introduced a creepy, mysterious atmosphere that may or may not exist. The characters weren’t the strongest, but they played well in the atmosphere of the place. There was a good bit of folklore as well.
It’s a good, solid story, but I did have some issues:
I do think that the book might have been better if it was longer. Lunden tried to fit a lot into such a little book, and some of the lore and the exposition got a bit jumbled or lost. I know that there is an anthology that follows this novella, so maybe I will check that out and see if Lunden fleshed out any more of the story there.
There were also some tropes and themes in this story that were not bad by any means, but were possibly a little over-used. For example: the father whose child is either dead or missing and the marriage is failing; a witch that kidnaps children (although this I don’t mind, it was a pretty good Hansel and Gretel retelling).
The book has multiple endings, which, while different, both seemed to have been a bit rushed at the end, and the execution wasn’t the best. Again, I think if they had been written longer they would have been better.
All this said, it was a fun thriller, and I did have the creeps when I read it at night. It reminded me of the VVitch a little bit, though, unfortunately (spoilers) the witches don’t win in the end of this one.
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Susan Hill’s The Woman In Black really is a classic ghost story. The protagonist, Arthur Kipps, prompted by his family to tell them a ghost story, recounts his experiences performing his duties as a solicitor for the dead Mrs. Drablow at the isolated Eel Marsh House. There he sees what is known there as ‘the woman in black’ and learns of her cruel history, and the cruel revenge her spirit takes in turn.
Of course I started reading this because I saw the movie, but if I had known The Woman In Black was a book first, I would have dived right in. This ghost story is up there with stories by Shirley Jackson, and the gothic works of Edith Wharton and Henry James. However, I think this is one of my favorites so far.
It’s such an atmospheric novel, I could feel the cold and wet of the marshes surrounding Eel Marsh House, could hear the squelch of the mud as the horse and carriage were heard by Arthur to sink and die in the marsh over and over, repeating that singular moment in time.
One gets the sense of looking back into the gothic, stepping through the threshold of the present into a past as grey and grim as death.
There are actually only a few differences between the book and the movie. (Spoilers ahead)
Arthur lives past the tragedy of the woman in black and into old age, though still mourning the death of his son.
They do not actually find the carriage and dead son of the woman in black, though Arthur was able to figure out the entire mystery based on papers and the apparitions he saw and heard.
I listened to The Woman In Black on audiobook, which was a wonderful experience. The book was read by Paul Ansdell.
I recommend this book to all who want a classic ghost story, to all who want to step into the past, no matter how foreboding it might be.
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I started reading – listening to, rather – The Turn of the Screw for a reason that will probably surprise none of you. I recently watched The Haunting of Bly Manor, and, enjoying it so much, of course I had to read the original work. I was happy to find many similarities and differences that make the book and show respectively unique.
I’m sure you all know this is a ghost story. However, we do not know if the house, Bly Manor, is haunted by the ghosts of Peter Quint and Ms. Jessel, or if the ones haunting are actually the people who live there, Flora, Miles, Ms. Grose, or our protagonist herself. It is this unknowing that makes The Turn of the Screw such a compelling story. I do wish more of this ignorance took place in the show, as there is nothing more terrifying than the unknown.
Right now for me, The Turn of the Screw is right up there with other ghost stories such as The Haunting of Hill House, and the ghost stories of Edith Wharton. There’s something so simple in the telling of the story that makes the reader pay attention to the wonderfully creepy atmosphere of the haunted houses.
I will almost certainly have to read this book again because, while it is a well-written story, a lot of the language is, not unexpectedly, old-fashioned, and so I will just need a second look.
I listened to the audiobook on Scribd, which I recommend everyone gets; it is a thousand times better than Audible, and has much more content (no this is not an ad, but I would certainly not mind working with them!). The audiobook I listened to was narrated by Flo Gibson, but there are many other narrators to choose from.
I recommend this book to all of you who want the creeps and spooks this Halloween!
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What the Dead Want is the story of Gretchen, who, still mourning the mysterious loss of her mother, is asked by her great aunt to come help her sort out her old house. When Gretchen gets there, however, she is introduced to a world where history and the dead rule.
I was very much interested in the concept of this novel before I started reading it. If you’ve been reading my reviews for a while, you’ll know I’m a big fan of ghosts, ghost stories, and ghost lore. So, when a book gets recommended to me about someone who can capture spirits with a camera, I thought I had met my dream book. It sounded like a Victorian gothic dream come to life.
Unfortunately, however, What the Dead Want did not meet my standards. For one thing, the letters featured in the book that were meant to be written by someone from the 1860s read more like someone writing today. I think the historical additions to this novel needed more research.
The writing and the plot also did not meet expectations. The plot seemed very random, and the use of photographs to see ghosts and solve the mystery really weren’t used until the very end of the story. In fact, most of the plot did not pick up until almost near the end of the book, leaving the structure of the rest of the book feeling randomly written and way too introspective. While I liked the fact that this book includes lots of diversity in its characters, the characters, except for Gretchen, felt very much as only accessories, and the perspective of the book was trying to be like Eleanor’s in The Haunting of Hill House and not at all succeeding in it.
While this book has good representation and covers some of the heaviest topics known (i.e. slavery, war, etc.), the writing was sub-par, and the plot not well-executed. I am sure that there is quite an audience for this book, but sadly I am not part of it.
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picked up Bierce’s collection of ghost stories because I am a huge fan of reading ghost stories written around the same time and style – think Edith Wharton, E.F. Benson, Shirley Jackson, etc.
While these stories were VERY spooky, and definitely enjoyable, I encountered some rather unfortunate mannerisms of the time; that is, sexism, racism, making men either murderers or gamblers. It is unlike Wharton’s stories, which center around circumstances outside of the protagonist’s control – Bierce’s characters often put the supernatural experiences upon themselves while also being kind of horrible people. I didn’t ignore it as I went, nor did I excuse the behavior of the characters, but I did feel these traits were what made the stories so centered upon the characters’ downfalls.
I don’t know if I would recommend this book to anyone who doesn’t like period ghost stories as much as I do.
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Through the Woods by Emily Carroll
My rating: 5 of 5 stars
If I had to pick a word to describe Through the Woods it would be gorgeous. I am always looking for new fairy tale and folklore retellings with horrific twists, and this gorgeous book did not at all disappoint. Through the Woods consists of seven tales, each one encapsulating some fear that we all see lurking in the heart of fairy tales.
The first tale simply illustrates the fear of what could be hiding under the bed.
The second, a sort of retelling of Little Red Riding Hood, illustrates the harshness of winter and the fear of possibly losing one’s family.
The third could be a retelling of any number of tales, including Bluebeard, The Fall of the House of Usher and the Tell Tale Heart by Edgar Allan Poe, and vampire stories. The fear expressed here is the uncertainty of an arranged marriage – and of course the odd fear of the dead wife coming back for vengeance.
The fourth shows a man’s fear when a seemingly perfect copy of his brother comes back from the dead. Invasion of the body snatchers? Perhaps!
The fifth story is all about ghosts and spiritualism, both the reality and fears that come with it. A young woman who pretends to commune with ghosts. Her friend who can actually see ghosts. Who is more afraid?
The sixth story is similar to the fourth in body-snatching, albeit a bit more gruesome. The creatures featured in this story are what I would associate to the term “skin-walkers.” The fear here is, again, losing one’s family – and perhaps even oneself – and not being able to trust those around you.
he last story, which is not really a story, more of a moral, reiterates one of the big themes of all the stories in this book: getting lost in the woods, and either coming out different, or being eaten by the wolf.
I read this book so quickly, that’s how good the stories were – I didn’t want to put them down for a moment. And Carroll’s illustrations and art in this book had me absolutely entranced. I honestly may go back and just look at the art. It sets the moods of each story so well, readers will be mesmerized and enchanted, just as one would venturing into the strange woods that star in each story. I would love to see Carroll create more tales like this. It is the perfect bedtime story, and the perfect midwinter read.
I recommend Through the Woods to those who love fairy tale and folklore, who want to explore fears a bit, and who want to get lost in a good and gorgeous book.
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It’s midwinter, which means it’s time to curl up with a good book. For me, this often means curling up with something spooky or scary. While the Autumn months are my favorite in terms of coziness and spooks, there is something about the dark of Winter that makes me want some darker spooks. If you also like to be spooked in the Winter months, or if you’re just looking for something a little more thrilling, here is a list of my favorite spooky books, stories, and authors so far (have I said “spooky” enough yet?).
The Ghost Stories of Edith Wharton
I love Wharton’s short stories because they have such simple plots and not very complex characters, but what is set to be complex is the darkness and looming memories that might just be living ghosts. I love the idea of staying in an old house in the middle of nowhere, and knowing you are in the middle of some terrific secret. Most of these stories were are set during the time Wharton wrote them, maybe a little earlier, which gives much more tangibility to the stories. So, if you like old, gothic houses full of ghosts and distant memories of the past, then this is the spooky collection for you.
The Haunting of Hill House by Shirley Jackson
The Haunting of Hill House shows the insecurities of a woman, Eleanor, magnified in a house that may be alive, that wants her to stay there forever. Her new companions in the house are trying to determine the supernatural nature of the house, but Eleanor’s connection to the house may tell them all they need to know.
This book, and really anything else by Shirley Jackson, are the most subtly spooky stories I have ever, and likely will ever read. Just as with Edith Wharton, Jackson’s stories focus on the mundane, and how the mundanity gets interrupted by something supernatural, or even preternatural. The fact is, though, no one, characters and readers included, are sure whether the supernatural elements are real or merely a figment of the imagination, and, in my opinion, that is the scariest part of all.
Children of the Corn by Stephen King
I am a huge fan of Stephen King’s shorter works, and I prefer them to his longer works. Children of the Corn is no exception. The short story has a more sinister ending (in my opinion) than any of the movies do (in which, oftentimes, the main characters survive the evils). In the story there is a primeval, eldritch being controlling the children of a small town, and feeding on them when they reach the age of 19 – it will also feed on anything or anyone that goes against it. The story ends with the age limit decreasing by one year, so that everyone who was 18 must now be given to the being in the cornfields.
What I love about this story is that you don’t really know what is going on, what the being is. All you know is that it is something from deep within the earth, and that fact, the fact that something so evil and terrifying could be lying right under your feet, is utterly horrific and wonderful.
The Bloody Chamber by Angela Carter
This is a short story featured in Carter’s collection, The Bloody Chamber and Other Stories, however, I am only focusing on this one story. Based on the fairy tale of Bluebeard, we get the same amount of terror and gore featured in the original tale. However, Carter features women as characters much more prominently, and also makes these women have connections with each other, connections that ultimately defeat the wife-killer. The main character, who marries our Bluebeard, goes through similar trials to the original tale: she must not go in the forbidden room, but ultimately does, finding within the corpses of Bluebeard’s other wives. The main character is to be killed too, but because of her close connection with her mother, she is saved and she and her mother live well ever after.
Carter does a fantastic job keeping the terror of the original story, while giving the women a sense of autonomy and strength. Even if you know the fairy tale well, you will go into this story feeling so much terror and fear for the main character, wondering what she will find in the rooms of the secretive castle.
Something Wicked This Way Comes by Ray Bradbury
This is the most perfect autumnal, spooky story I have ever read. A carnival comes into town, and the kids go see it after hours, but they discover that the people running the carnival are not what they seem. There is something terrifying about the carnival, something primeval and eldritch in the way it causes fear. Can the kids and their allies solve the mysteries of this carnival, and defeat it before it causes any harm?
What I love about this book is that it makes you feel Autumn in all definitions of the season. The coziness of reading a book, the crispness of an Autumn night, the spooky feeling that something unknown is lurking. I think the quote below captures the entire feeling of the book:
“For these beings, fall is ever the normal season, the only weather, there be no choice beyond. Where do they come from? The dust. Where do they go? The grave. Does blood stir their veins? No: the night wind. What ticks in their head? The worm. What speaks from their mouth? The toad. What sees from their eye? The snake. What hears with their ear? The abyss between the stars. They sift the human storm for souls, eat flesh of reason, fill tombs with sinners. They frenzy forth….Such are the autumn people.”
Frankenstein by Mary Shelly
We all know this classic story: mad scientist creates monster, monster kills, people kill monster, etc.? Well, not exactly in the book. Mary Shelly’s classic horror story is not just creepy, but it is also quite philosophical in the way that it approaches the monster. Victor Frankenstein (not even a doctor yet!) is a college dropout who wants to find the secret of conquering death after the death of his mother. Of course, he creates the monster, but refuses to care for the creature as his own. From this comes a chase and a dialogue between Frankenstein and the monster, with the monster discovering who he is and what kind of person he should be based on his environment, and based on the actions of his creator.
This is not a terrifying story, but it does make one think deeply about death, life, and the consequences of playing god. What could be more fearful?
Rebecca by Daphne du Maurier
Another classic story, Rebecca is about a young woman who marries Max deWinter, a wealthy man from an old English family, whose wife, Rebecca, died the year before under mysterious circumstances. The young woman enters Max’s life and home, meets his family, friends, and colleagues, but cannot shake the feeling that Rebecca’s never-dying spirit follows and mocks her, as she is compared to the dead woman by everyone she meets. Eventually she solves the mystery of Rebecca’s death, but not without disruption to her whole life.
This is a more modern take on the classic, gothic story of a woman who marries a man with a wife in the attic, metaphorically speaking. Regarding Rebecca’s character, we know she isn’t a ghost, we never see her, neither does the young woman. And yet, Rebecca is always there, a lurking memory in the shadows of Manderly. While this isn’t the spookiest of stories, you get a creeping sense of something as you read.
Gwendy’s Button Box by Stephen King
My rating: 4 of 5 stars
I tend to very much love Stephen King’s shorter works, and Gwendy’s Button Box is no exception. Set in King’s favorite setting of Castle Rock, Maine, this is a story about Gwendy, a young girl who is given a box covered in buttons by a man in a black coat and black bowler hat. The box improves her life drastically, but, as she learns soon after receiving it, the box comes with a price.
What I love about this story is that it is about making mistakes in youth, and making choices as an adult. Through our mistakes and choices, we all find out what is important in life; what we love and what we want to avoid; what we know is best for ourselves. Through Gwendy, King and co-author Richard Chizmar show how such mistakes and choices can affect life, albeit with help from a box bent on destruction. It is definitely a coming-of-age story; a horrific one.
The only thing I would criticize would be the illustrations by Keith Minnion included in this edition. There were not enough of them, and, to be honest, I wasn’t too fond of them. If there had been more I might have appreciated them more.
While this book didn’t scare me, I can tell you right now that if a man in a black coat and black bowler hat came up to me offering a box covered in colorful buttons, I would refuse to take it.
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Cycle of the Werewolf by Stephen King
My rating: 3 of 5 stars
This short novel of Stephen King’s was a fun and chilling read. Very easy to get through due to the pacing of the story and entertainment factor, I read Cycle of the Werewolf in about two hours. The story shows a view of how a town might react to the arrival of a murderous werewolf and, in my personal opinion, King got most of it pretty realistic. There are two big reactions to a kind of upset like a werewolf: everyone going completely ballistic, or, as in this novel, everyone doing absolutely nothing until a child takes matters into their own hands.
The illustrations by Bernie Wrightson perfectly captured the grim atmosphere of King’s narration, though I have one criticism (this would mainly be for the editors): a lot of the illustrations were placed a bit too early in the text, and so the reader would know what would happen in the plot based on the picture before the written event ever actually happened.
I recommend this book to those who want a short and chilling read. The gloominess of the art and the fact that the book starts and ends with snow makes it a perfect winter read.
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