The Ghost Garden takes place just before the start of WWI. Fran is a young girl working with her father in the garden on the estate where they live. One day, Fran finds a bone in the garden. She thinks this is odd and mysterious, until more odd and mysterious things start to happen around the estate.
I wouldn’t call this a ghost story; rather, it is a coming-of-age story with ghosts in it. I really like how Emma Carroll portrays the mystery and childhood wonder in Fran’s explorations of the gardens and the mysteries they bring to her. There is a sense of whimsy, but also of fear as the mysteries turn into predictions of terrible things to come.
The writing is very beautiful. This is my first book by Carroll, but I am eager to read her other works (of which, I am happy to say, she seems to have many!). In this particular story, I get a lot of Secret Garden vibes, and, especially with the exploration of tombs and ghosts, I have ended up feeling very nostalgic for my own childhood. I usually don’t like war stories, but this one dealt with the impending war in a very healthy and subtle way.
I recommend this book to those who want some nostalgic feelings, and some sense of whimsy.
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As most of you dear readers know, I love ghost stories. About half of my reviews consist of ghost or paranormal stories. They are probably my favorite things to read in the whole world.
You might be asking, A. Siegel, why ghost stories? I often ask myself this question, and upon thinking of some answers, I thought I would share them with you.
First I’d like to answer “why ghost stories?” for me personally.
Most importantly, I think that they are fun! I love reading these stories, imagining I am the one exploring the haunted house or the haunted woods, trapped in the dark with some unknown presence that could end or change my life forever. And that oh so wonderful creepy feeling! It is my favorite feeling reading a book.
Really, though, I think my love for these stories stems back to my love and interest in ghosts in general. I think I always believed in ghosts in some capacity, but I never was truly intrigued by ghosts until I was around eleven years old. I think it must have been an episode of Ghost Hunters or some such show that triggered my hours and hours of researching reported hauntings of famous sites, of ways to tell when there was a ghost, of the scientific proof that evidenced these spirits. Suffice it to say, it had become an obsession that is with me to this day.
As I’ve gotten older, though, the energy that I had to try to find ghosts has calmed down a little. Now, my energy is spent in finding all the great ghost stories ever told! And believe you me, that is the most fun.
Next I will try very hard to answer the other aspect of “why ghost stories?”
Why are ghost stories important?
For a more academic and well-researched answer to this question, I recommend reading The Ghost by Susan Owens, which talks about the history of ghosts in human minds, art, and literature. However, I want to attempt to answer this from my own observations.
Ghosts have been on the minds of humans even before writing was a thing, and, of course, we know that humans have always had a perfectly understandable obsession with what happens when we die. I think the best answer that we have for why it is such an obsession even now is said very well by Susan Owens: “[Ghosts] remain as elusive as ever, and we still have no more idea now of what they are” than people did thousands, even hundreds of years ago. And I think that’s why humans chase ghosts.
Humans are always searching for what they don’t know – hell, people are still trying to figure out what dark matter is, and that is even farther away from us than ghosts are supposed to be. I think ghosts add one more thing on our own planet, even in our own psyches that we still haven’t figured out yet, and I think that is beautiful. I think it’s important that humans keep striving to figure out the mysteries of the world, and part of me is glad that ghosts are so unattainable. The other part of me, of course, wishes that I could have a conversation with a ghost. Maybe someday!
In any case, this elusive mystery to the human species has left us with so much art and literature and creativity, and I think that is the most important result of the (maybe) existence of ghosts.
With that brief explanation, I would now like to share with you a few of my favorite ghost stories and authors of ghost stories, and why I think they are so successful as ghost stories (I guess the question here would be “why these ghost stories?”).
The Haunting of Aveline Jones by Phil Hickes
In my opinion, middle grade books do some of the best work with regards to ghost stories nowadays. This book is no exception, and has all the classic ghost story elements you could want from a spooky book: a haunted house in a spooky seaside town, a ghost bent on revenge, and a young hero who must face the ghost and win or be taken forever into whatever ghostly realm awaits her. A lot of more adult ghost stories don’t include as likeable a hero as Hickes does in his book, but I think that having such a character is very important. With this protagonist, you get a stronger dichotomy between the living and the dead, so you know where the protagonist stands, which side she is on (that of the living).
An example of a ghost story with a more ambiguous protagonist is
The Haunting of Hill House by Shirley Jackson
This is probably one of the most famous haunted house stories ever told, and it lives up to its reputation. A young woman goes to the purportedly haunted Hill House to help conduct an experiment regarding the existence of ghosts. During her stay, however, her fragile mind traps her on the bring of living and death.
The great thing about this book is what a lot of great ghost stories do: they don’t let you know what’s real and what isn’t. Nor do they let the protagonists know what is real or not, and that is the scariest thing of all. Are there ghosts, or is it just yourself? And if there are ghosts, have you really been one of them all along?
I think these questions that the book poses mirror what we as humans always seek to answer: are we real? Or are we just part of some sordid imagination?
Like The Haunting of Hill House, many ghost stories tend to be very simple and atmospheric, which makes the spooky feeling all the more prominent. Some of my favorite authors that write this way are,
Susan Hill (The Woman in Black)
Henry James (The Turn of the Screw)
Ambrose Bierce (The Moonlit Road)
Edith Wharton (The Ghost Stories of Edith Wharton)
Stephen King (The Shining)
Daphne DuMaurier (Rebecca)
There are so many others that I haven’t named, and many others that are still waiting for me to read!
Now, when you go back a while in history, the way ghosts are presented changes a bit. For those of you who don’t know, my expertise is in classical literature and folklore, including what the Greeks and Romans thought of the dead. We all know that the majority of spirits in these myths are seen in the Underworld – examples include the shade of Eurydice, Orpheus’ wife; the shades of Ajax, Agamemnon, and others who greet Odysseus and tell him what has happened since he left Troy; in a similar vein, the shade of Anchises who leads his son, Aeneas, through the Underworld and tells him of his destiny. However, there are stories from Roman writers that talk of ghosts in a more realistic setting.
Pliny the Younger, whom I have dubbed the silliest of boys, was a Roman political figure. He wrote many letters to his friends, and even the emperor! In one of these letters, he tells a story. Or, rather, he tells his friend that he heard from his friend that his friend’s friend saw a ghost once (yes he writes letters like this ALL THE TIME and it’s GREAT). One of the stories Pliny tells involves a man who buys a large house, but is warned that the house is haunted. So, the man stays up all night working and waiting for the ghost. Sometime in the night, he hears the clanking of chains, and sees a ghost with those chains pointing him to a spot in the house. In the morning, the man digs up the spot where the ghost pointed, and there finds a skeleton shackled with, you guessed it, chains. If that sounds familiar, you would be right, as we’ve seen the same theme of ghosts with clanking chains in such tales as A Christmas Carol.
These all have been done by Western authors, but one last one I want to mention is from Japanese mythology, called Kwaidan. These short stories, which were compiled by Lafcadio Hearn in the late 19th century, are very atmospheric and are very much tied into Japanese culture (I think the majority of it is Buddhist, but correct me if I am wrong). In many of these stories, ghosts are either helpful to our characters, or they offer some sort of warning or premonition of death.
I very much recommend Kwaidan, for not only are the ghost stories fun and spooky, but it gives an insight into how other cultures view the dead.
Ghost stories are so important, personally and to the human species in general, it is no wonder we keep writing them.
I hope this has answered the question “why ghost stories?” thoroughly, and I hope you’ve enjoyed reading about one of my favorite topics!
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Hi all! I’ve written a new post (article? piece? something) about why I love ghost stories so much, why I think they’re important, and what my favorite ghost stories are and why.
It’ll be published officially on Monday July 26, but I’ve made it available early on Patreon!
So stay tuned for this rather fun post I’ve written, or go now to my Patreon to read it sooner!
Thanks, all, and happy reading!
Twelve Nights at Rotter House is about Felix, a travel writer who writes about haunted places. His goal is to stay in the purportedly haunted Rotter House, or Rotterdam Mansion, for thirteen nights. He doesn’t believe in ghosts. But when he’s joined by his estranged best friend, and believer in ghosts, Thomas, strange things start to happen in the house that even Felix can’t explain.
This was a very enjoyable read, or I guess listen, as I listened to the audiobook on Scribd. It was really good on audiobook, and I recommend reading the book in that way if you can!
Definitely a suspenseful thriller, playing on my favorite ghostly authors like Shirley Jackson, and other haunted media like Vincent Price films and The Twilight Zone.
Here is what I liked about the book (these definitely outweigh the things I didn’t like):
Really suspenseful, and compelling, I sometimes had to stop what I was doing while listening and just listen, eyes wide and waiting for the other shoe to drop in the story.
I love me a good haunted house, and J.W. Ocker really knows how to write a good and spooky haunted house. Filled with creaks and footsteps, disembodied screams, even a severed arm that seemingly came from nowhere. It’s such a classic haunted house story, but with its own horrifying twist at the end.
I liked Felix, the main character. He was not necessarily likeable, but he is relatable, and you do feel for him, you want him to succeed, and you feel so bad if and when he doesn’t. What Ocker also does well is write the characters that we don’t see: Thomas and Felix’s wives; the ghostly inhabitants of the house. You felt like you wanted to get to know them, but at the same time keep them in the shadows.
Here is what I didn’t like so much, or what I was confused by (warning: some spoilers ahead):
In the end we aren’t sure if there are ghosts in the house or not. While it was a good plot device to make that ambiguous, I do kind of wish, for myself alone, that there were definitive ghosts present. I am just going to believe that the ghosts were in fact there.
The twist in the end was good, but the way it was executed was a bit confusing.
SPOILERS BEGIN HERE:
Felix finds out that Thomas was sleeping with his wife, and kills them both at Rotter House. But, why would Thomas and Felix’s wife be there having an affair when they know that Felix is there writing a book? To me that could have been explained better. Actually, I think it might have also been fun if Thomas’ own wife was the murderer. But, I do understand why Ocker ends the story this way. It was definitely thrilling.
All in all, it was a good haunted house story, perfect for this coming autumn, if you are looking for something thrilling and spooky.
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The Haunting of Aveline Jones by Phil Hickes is a story about a girl, Aveline, who goes to a seaside town to stay with her aunt while her mom is visiting her grandmother. In this town, Aveline, a firm and eager believer in ghosts, finds an old bookshop with a book of local ghost stories. However, this book unearths a mystery and a haunting past that Aveline is not prepared for.
I absolutely loved this book. It’s the type of story I would have loved at Avenline’s age, and that I love now at 28. It has all the combinations of adventure, ghosts, atmosphere, and folklore that keep me enthralled and on the edge of my seat. It is a short and very simple story, which does appeal to me, though I know many people would want something more complex and involved. I’m a simple gal and this story was perfect for me.
The atmosphere was perfectly spooky. Put aside the ghosts, this book takes place around Halloween in a stormy seaside town with an antique bookshop and some dark, local folklore. Can it get any better than that?
The characters were also very well-written. None of them annoyed me, and I only felt endearment towards even the ones that were supposed to be annoying.
I think one reason I related so much to this book is that Aveline reminds me a lot of myself (and several other girls I knew as a preteen). And, while I haven’t been exactly in her shoes, my love of the paranormal is a complete match. Though now that I am very much a grownup, I think I’m starting to relate more and more to characters like Mr. Lieberman, the owner of the bookshop.
Another reason this book was so good, in my mind, is that it reminds me of a lot of well-known ghost stories (Turn of the Screw/Haunting of Bly Manor, The Ghost Stories of Edith Wharton, The Haunted Bookshop, and others), but Hickes makes those ghostly themes entirely his own. And it is no surprise, since Hickes himself grew up the same way and next to a graveyard no less! Hickes is a supremely talented writer and I am looking forward to his next book in this series, which I believe comes out later this year.
The Haunting of Aveline Jones was a wonderful read, and I might just read it again next Halloween! I recommend this book to anyone who loves spooks and a good ghost story.
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The Canterville Ghost is about an American family in the late 19th century that moves into Lord Canterville’s large and old home. However, the large house is haunted by Canterville’s ancestor, who tries to frighten the family away, or even to death! But this family isn’t to be scared away by a ghost, and is even intrigued by the historical mysteries it still carries.
I had known about this story before I read it, as I had watched a cartoon version of it when I was little, which had very minor differences. The Canterville Ghost is my first full Oscar Wilde reading (I’m still in the middle of Dorian Gray) and I thoroughly enjoyed it.
Oscar Wilde and a ghost story is the perfect combination. Using his artful language and wit, he is able to humorously tell the tale of an utter failure of a ghost even among the mysterious and beautifully-described gothic atmosphere of the house. The only thing I would wish to be different, at least a little bit, is the ending, which was nice, but I think I would have liked it to be more than just nice. It didn’t detract from my enjoyment of the story, however.
The Canterville Ghost is definitely up there with my favorite ghost stories, and Wilde’s way of telling ghost stories is wonderfully refreshing. I recommend this story to those who want some wit in a gothic setting.
I listened to this book on Audible, and I very much enjoyed it as an audiobook.
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I picked up Weird Woods because, if you do not know already, I am a huge fan of folklore and hauntings. From the description, I had expected to find folktales about Britain’s forests, sort of the origins for all the haunting stories we know and love. Basically I expected it to be more like The Book of English Folktales by Sybil Marshall. Instead, this book is an anthology of short stories that are set in haunted British forests or have something to do with trees, and are written by popular authors of this genre from about the early 20th century (some late 19th).
So, while I did enjoy most of the stories generally speaking, I was a bit disappointed at the lack of actual folklore, and that is why I have given this book only three stars.
Nonetheless I loved the dark atmosphere of all the stories, the gnarly roots of the forest, and the trees that seem to be guiding the protagonists to either happiness or misery, depending on their mood and on the attitude of the hero.
I recommend this book to those who want ghost stories, but, to those who prefer more folklore, this may not be the book for you.
I will be discussing the stories in-depth next week on my Patreon, so please do check it out if you want to see my extra analysis!
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Susan Hill’s The Woman In Black really is a classic ghost story. The protagonist, Arthur Kipps, prompted by his family to tell them a ghost story, recounts his experiences performing his duties as a solicitor for the dead Mrs. Drablow at the isolated Eel Marsh House. There he sees what is known there as ‘the woman in black’ and learns of her cruel history, and the cruel revenge her spirit takes in turn.
Of course I started reading this because I saw the movie, but if I had known The Woman In Black was a book first, I would have dived right in. This ghost story is up there with stories by Shirley Jackson, and the gothic works of Edith Wharton and Henry James. However, I think this is one of my favorites so far.
It’s such an atmospheric novel, I could feel the cold and wet of the marshes surrounding Eel Marsh House, could hear the squelch of the mud as the horse and carriage were heard by Arthur to sink and die in the marsh over and over, repeating that singular moment in time.
One gets the sense of looking back into the gothic, stepping through the threshold of the present into a past as grey and grim as death.
There are actually only a few differences between the book and the movie. (Spoilers ahead)
Arthur lives past the tragedy of the woman in black and into old age, though still mourning the death of his son.
They do not actually find the carriage and dead son of the woman in black, though Arthur was able to figure out the entire mystery based on papers and the apparitions he saw and heard.
I listened to The Woman In Black on audiobook, which was a wonderful experience. The book was read by Paul Ansdell.
I recommend this book to all who want a classic ghost story, to all who want to step into the past, no matter how foreboding it might be.
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I started reading – listening to, rather – The Turn of the Screw for a reason that will probably surprise none of you. I recently watched The Haunting of Bly Manor, and, enjoying it so much, of course I had to read the original work. I was happy to find many similarities and differences that make the book and show respectively unique.
I’m sure you all know this is a ghost story. However, we do not know if the house, Bly Manor, is haunted by the ghosts of Peter Quint and Ms. Jessel, or if the ones haunting are actually the people who live there, Flora, Miles, Ms. Grose, or our protagonist herself. It is this unknowing that makes The Turn of the Screw such a compelling story. I do wish more of this ignorance took place in the show, as there is nothing more terrifying than the unknown.
Right now for me, The Turn of the Screw is right up there with other ghost stories such as The Haunting of Hill House, and the ghost stories of Edith Wharton. There’s something so simple in the telling of the story that makes the reader pay attention to the wonderfully creepy atmosphere of the haunted houses.
I will almost certainly have to read this book again because, while it is a well-written story, a lot of the language is, not unexpectedly, old-fashioned, and so I will just need a second look.
I listened to the audiobook on Scribd, which I recommend everyone gets; it is a thousand times better than Audible, and has much more content (no this is not an ad, but I would certainly not mind working with them!). The audiobook I listened to was narrated by Flo Gibson, but there are many other narrators to choose from.
I recommend this book to all of you who want the creeps and spooks this Halloween!
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What the Dead Want is the story of Gretchen, who, still mourning the mysterious loss of her mother, is asked by her great aunt to come help her sort out her old house. When Gretchen gets there, however, she is introduced to a world where history and the dead rule.
I was very much interested in the concept of this novel before I started reading it. If you’ve been reading my reviews for a while, you’ll know I’m a big fan of ghosts, ghost stories, and ghost lore. So, when a book gets recommended to me about someone who can capture spirits with a camera, I thought I had met my dream book. It sounded like a Victorian gothic dream come to life.
Unfortunately, however, What the Dead Want did not meet my standards. For one thing, the letters featured in the book that were meant to be written by someone from the 1860s read more like someone writing today. I think the historical additions to this novel needed more research.
The writing and the plot also did not meet expectations. The plot seemed very random, and the use of photographs to see ghosts and solve the mystery really weren’t used until the very end of the story. In fact, most of the plot did not pick up until almost near the end of the book, leaving the structure of the rest of the book feeling randomly written and way too introspective. While I liked the fact that this book includes lots of diversity in its characters, the characters, except for Gretchen, felt very much as only accessories, and the perspective of the book was trying to be like Eleanor’s in The Haunting of Hill House and not at all succeeding in it.
While this book has good representation and covers some of the heaviest topics known (i.e. slavery, war, etc.), the writing was sub-par, and the plot not well-executed. I am sure that there is quite an audience for this book, but sadly I am not part of it.
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