Book Review – The Gathering Dark: An Anthology of Folk Horror

The Gathering Dark: An Anthology of Folk Horror by Tori Bovalino

My rating: 4 of 5 stars



The Gathering Dark is probably one of the best contemporary horror anthologies I have read so far. While this book is marketed to teens and young adults, these stories are some of the creepiest I have read (which further goes to show that, often, middle grade, teen, and young adult books can be better reads than adult books). Although, unlike many adult horror stories, several of these stories have a happy or at least ambiguous ending – it gives the reader hope for the main character.
Each story features a young person, usually a teenager about to go to college, who is trying to live and fall in love or make strong friendships, but something in their lives goes wrong or prevents them from living a somewhat normal life. Usually that preventative thing is something of the supernatural, often with an evil presence. Each story definitely takes something from folklore, though it is sometimes difficult to know what aspects of folklore or cultures they come from (unless explicitly said by the author). What I love about most of these folkloric tales, though, is that all of them have something to do with death or with the dead. To me, there are no creepier stories, nor stories that tell more truths about the nature of humanity.
I loved the atmosphere in these stories, the feeling of being trapped while simultaneously seeing an escape just around the corner. I liked the sense of leaving something behind, whether it is the thing that creates the horror, or an old life traded for a new and improved one. I also love that several of these stories feature lgbt protagonists. Every story was so well-written, I want to check out more stories written by these authors. I recommend this anthology to anyone who wants a good and creepy atmosphere.

This is the end of my short review. In the next section, I will review individual stories, which means there might be spoilers.


Stay by Erica Waters

This is, in my opinion, the saddest story of the whole collection. A young woman, who takes care of her grandmother and cousin by herself, also has to tend to the spirits in their family’s graveyard, else they drag her down into her own grave. Our protagonist wants to leave this town, wants to have a relationship with the beautiful daughter of her boss. What she doesn’t realize, though, is that she has been tending to the dead more than she realized. This is a story about grief, and how memories and loved ones stay with us, long after they have departed. It is also a story about remembering to live, which, in times of grief, is hard to do. I loved the way this story was written and, though it was short, you could feel all the emotions put into it. Definitely my favorite story of this anthology. I am not sure what folklore this is based on, though I would guess it is based on Hispanic/Latino folklore (but please correct me if I’m wrong).


The Tallest Poppy by Chloe Gong

This story had so much potential to be the creepiest ever, but it feels like the author didn’t see it through. This story has the creepy, perhaps haunted house with a curse apparently on it. Our protagonist goes to work and live at this house as a nanny, and she knows that whoever lives there has died pretty quickly. No one, however, knew why. She starts to work there and you have the elements of a haunted house: sleepwalking family members, seemingly in a trance; haunted dolls; and perhaps a haunting connection with the sea. That last bit was what I wish the author had gone into more. The main character says over and over that the sounds of the sea drive her nuts, and then she starts having hallucinations of drowning. But then the author makes the villain, or haunting presence, the dolls and the house, with no real connection to the sea. The folklore isn’t really explained. Again, so much potential, but this story felt a bit messy.


Loved by All, Save One by Tori Bovalino

Now this is a story for long winter nights. This story has everything: a vengeful ghost, kids trapped in a house on their own in the middle of nowhere. There is so much suspense in this story because you can imagine being one of those kids, alone in the dark house, jumping at every little noise that could be a ghost or a burglar. And, speaking as someone who lives in one of the coldest places on earth, there is no worse feeling than being surrounded by a whiteout of snow. What I love about this story, though, is that instead of just a figure of malice and revenge, the vengeful ghost acts as a protector too. We need more stories where the vengeful spirit acts out of a desire to protect and prevent the past from repeating itself, rather than just being angry for the sake of being angry (although those stories can be very suspenseful too). Unfortunately, though, this is another one of those stories in which someone gets left behind in order for the others to live.


One-Lane Bridge by Hannah Whitten

This story reminded me of the Alton Bridge in Texas, you know, the one that Ryan and Shane stole from the demon? I do wonder if the bridge in this story is supposed to be based on Alton Bridge. It wouldn’t surprise me, though bridges are often sites of hauntings and demons, as they are somewhat liminal spaces – places for transition. We follow a group of highschoolers in their senior year. The protagonist of this group has been cheated on by her boyfriend, and feels resentful towards him and her friend group. They go to this bridge to make a deal with the demon who resides there. The protagonist, however, does not finish her deal in time, and the demon, who really feeds on fear and the blood of the living, plagues her friends to kill her and give the demon her blood. I sort of wish the story went more into the folklore aspects of the bridge, but I know that the purpose of this story is about the strength of friendships (or lack thereof). I thought the atmosphere around the bridge was very well-written. However, I think I just wasn’t as keen on the plot overall. I think this could be a better story if it were longer. But other than that, give me a spooky demon bridge any day.


Ghost on the Shore by Allison Saft

This ghost story reminds me of stories about the woman in the well, or the lady in the lake (not the Arthurian versions), wherein the dead come back from a watery grave to see to unfinished business they left behind. The protagonist knows such stories, and goes to the lake where her beloved has drowned, to tell her of her feelings. But the ghoulish entity of this beloved friend seems wrong to the protagonist, but that doesn’t stop the protagonist from giving the ghoul a lift and trying to talk things out. This is a story about moving on from grief, and a reminder that grief is best shared and experienced with someone who understands. This story has such a gloomy atmosphere, perfect for an undead presence who rises from the water. What I wasn’t thrilled by in this story was that it was a lot of just driving around with the ghoul, instead of getting more into the folklore. Totally relatable story (minus the driving the ghoul around), but I really wanted to know more about the folklore and the history behind the undead that come from the lake in this story.


Petrified by Olivia Chadha

I loved this story. It was atmospheric, it was about trees and a creepy forest! This story has themes of colonization, revenge, and nature. The main characters, who are either indigenous to the land or who settled there before the “bad” colonizers (it’s hard to tell), seek to avenge their stolen land and livelihood by killing those who have or who are related to the ones who have done so. To do this, they use their connection to the forest to help trap their victims. Stories that take place in seemingly haunted forests are some of my favorites. There’s always something ancient and foreboding about the trees that have been on the land forever, and that is, in my opinion, how it should be. This story, actually, would have been a good one for the anthology Weird Woods, if it took place in Britain and not (what I presume is) America. The way it is written, you get such a sense of the darkness in the story, of the possibility of getting lost in the woods and never finding your way out.


Third Burn by Courtney Gould

You could easily imagine that the town this story takes place in is Salem (though it is actually in Oregon, and not Oregon’s Salem). The main character is an outcast from her hometown, though she is back and met without much welcome. She knows she must get out of this town, but the price to do it might be too high. It is definitely dangerous; though, with the help from the ghosts of the witches who were burned in the town long ago, our protagonist might just be able to escape, and maybe become a witch (or a ghost) herself. This is a story about prejudice – prejudice against lower classes, prejudice against women, prejudice against anyone who is different. It is a story in which the Church, as a negative entity, plays a sort of villain or antagonist to our protagonist. It definitely recalls the days of the witch trials, but also reminds us that such prejudices still exist. I have to say, I really disliked everyone in this story, but for good reason. The other characters seemed relentless in their hatred of the protagonist, even though she did her time and was trying to get back to normal. I do wish, though, that there was more interaction with the protagonist and other characters – she only interacts with her former best friend/love interest, and the rest of the feeling from the town is implied. I definitely got VVitch vibes from this story.


It Stays With You by Aden Polydoros

This story is based on the classic Bloody Mary game we would all play as kids in front of a mirror in a dark bathroom. Except, this time, it is not just Bloody Mary who will get you from the mirror, but your own deepest fears. This story struck me as the Bloody Mary game meets Stephen King’s IT, in which the main characters are haunted by their worst fear that threatens to come out of the mirror and destroy them. I can’t say much more except that this story really does have Stephen King vibes, and there is the atmosphere of a creepy carnival that reminds me of Ray Bradbury’s Something Wicked This Way Comes. It wasn’t my favorite story of the bunch, as the paranormal elements were not as ghoulish as I usually like, but that’s just me. This is, essentially, a story about memories, trauma, and moving forward (in this case, the moving forward might include beating a monster up with a baseball bat).


Truth or Dare by Alex Brown

Not going to lie, this story reminds me so very much about a scary story my counselors told me at camp, about some tunnels under UCLA, and the people who went in there. One escaped, and one didn’t, supposedly killed and eaten by a man or creature who lived in the tunnels. This story has a similar premise: tunnels underneath a school, and when two people go in, only one comes back out. In this story, however, the tunnels only appear to someone who has to make a decision, and as a result leave the other person behind in the tunnels. There is some creature or entity in these tunnels that seems to make this possible, and it is implied that this entity does kill the person who is left behind. I really loved the atmosphere in this story. You could imagine the dark and damp of the tunnels, the urge to press on and get out. What I was less keen on – though it is super relatable – is the relationship between the protagonist and the boy she brings with her into the tunnels. They have a very toxic relationship, which is why the decision comes to the protagonist in the form of going into the tunnels. I think the biggest issue I had with the protagonist is that even when she leaves behind the boy in the tunnels, realizes she’s better off without him, she still doesn’t seem to have much agency. I have no doubt that that is done on purpose by the author, and I understand why: the protagonist is supposed to represent all who have to make a decision in the tunnels, and we don’t really know what happens to either party when one escapes with their decision. It makes sense, but I still wish she had more agency. This is just a personal feeling, and one that has no bearing on how good the story actually is.


The Burning One by Shakira Toussaint

This story can easily be summed up as: “girl in a toxic relationship goes feral”. I believe this story uses Caribbean folklore as its basis, which is utterly fascinating and a topic I would love to read more about. Themes in this story include colonization (always a true element of horror and terror), racism, and slavery. I won’t go into too much detail about these themes in relation to the story, but I think you can guess where it’s headed. What I thought was so interesting was the transformation of the protagonist from curious girl to a creature hungry for revenge (literally), was that it is sort of left open to interpretation. One could interpret the transformation as a sort of werewolf or vampiric transformation. Otherwise, the protagonist could simply have just become so overcome with her hunger for revenge that she literally eats those she wants to punish. I am sure there are stories in the folklore that refer to such a transformation or woman, but I am not versed enough yet to make the connection. I very much want to though! The language that Toussaint wrote this story in was very interesting as well. It was English, but a purposefully simple and/or broken English to illustrate the limited worldview of the protagonist. I’m not always a fan of this writing style – it’s a bit hard to read, and it is not always consistent. However, for the purposes of this story, it seems to work.

Thank you so much for reading!






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Book Review – The Haunting Season

The Haunting Season: Ghostly Tales for Long Winter Nights by Bridget Collins

My rating: 4 of 5 stars


The Haunting Season includes eight short stories full of mind-bending haunts and cold winter nights. This was a wonderful read to get me into the spooky mood, and the cold, dark, and snow of Winnipeg was the perfect atmosphere for these wintertime spooks.

Overall, I thought all of the stories were good. I will, however, briefly go through each story and discuss my favorites and least favorites. The short, spoiler-free review will end here with this recommendation: if you want to get back into the spooky mood, this is a great book to read on a cozy winter night.

Discussion of the stories:

Story 1 – A Study in Black and White by Bridget Collins

If you guessed that this story has to do with chess, you would be right. And that premise alone got me into the story. An entire house that is obsessed with chess, even the garden is a giant chessboard. However, I did not like the climax of the story so much. It is indeed a haunted house, with its own chess-playing ghost. But that’s all it does. The protagonist is terrified for his life of this ghost, and all the ghost wants to do is play chess. If the ghost did have nefarious, chess-related schemes, the author needed to expand upon it further.

Story 2 – Thwaite’s Tenant by Imogen Hermes Gowar

This is your classic, gothic haunted house story. A woman and her son have come to an ancestral home to escape her tyrannical husband. But she soon discovers that the ghost of this old house is another tyrannical husband, bent on making all the women in that house miserable. What I liked, though, is that even though things went wrong at every turn, the protagonist knew her own mind and ended up better for it.

Story 3 – The Eel Singers by Natasha Pulley

I loved this story, I think it was my favorite of the anthology. This is a mind bend if I ever read one. A man and his clairvoyant friend (partner?) go to an old village where the clairvoyant is not able to see the future. However, they find out that the reason for this is more sinister than they would have liked. This has elements of folklore that I love – going somewhere where old traditions live on, a Lovecraftian eldritch whatever that is trying to eat them, the bog. What I also liked is that you don’t really know what is going on, you only have hints – to me, the not knowing is the scariest part of these stories.

Story 4 – Lily Wilt by Jess Kidd

You know the story about Carl Tanzler? The guy who was obsessed so with a young woman that he kept her dead body and lived with it several years after she died? This is like that story, but also kind of the opposite? Basically the same sort of plot, except the man meets the woman after she is dead, and the whole thing is her idea. I liked this story because we really don’t know what it is that’s causing the dead woman to remain earth-bound. Is it even the same woman? Is it a demon or some other spirit? Either way, it does not end well for her. I also liked the author’s use of the photographic technology available at the time this story takes place, and the creepy lore of afterimages in old Victorian photographs. I could see this being made into a movie or short.

Story 5 – The Chillingham Chair by Laura Purcell

This story is basically a murder mystery that never gets resolved. Yes, we find out what happens, but the main character is sort of trapped in such a way that she can’t tell anyone, and no one will listen. Think Gaslight meets Crimson Peak. This story was the most nerve-wracking for me because the protagonist was for all intents and purposes trapped. No one would believe her anything, except the ghosts who were trying to help her. Death is almost certain for her, even as she realizes what is going on. The imagery of the rooms and the titular chair is very claustrophobic, but I like it, and I do hope that it was the author’s intention. This atmosphere makes the story that much more frightening.

Story 6 – The Hanging of the Greens by Andrew Michael Hurley

This, to me, was the weirdest story, and the most Christmassy. Think of it as a sort of reverse Christmas Carol, where the past of someone else comes to the protagonist in order to right a past wrong, and the protagonist is only too willing to help. This is one story where I wish the author had described just a bit more of the supernatural phenomena, or the folklore behind the “Greens” of this story. There wasn’t much real fear to be felt, only a lot of sadness. Then again, many ghost stories are just symbols of sadness, and the author does this well.

Story 7 – Confinement by Kiran Millwood Hargrave

This story was very clearly based at least partly on The Yellow Wallpaper, but what’s also cool is that the author based the villain of this story on Amelia Dyer, a notorious historical serial killer. This serial killer, however, is a malevolent ghost in this story, the one driving the protagonist mad during her confinement after giving birth. Unlike The Yellow Wallpaper, this story does not take place in just one room. In fact, the journey from the protagonist’s room, through all of the snow, and to the church a ways away is an important spatial feature. I also liked how we as the reader knew for certain, even if others didn’t, that the protagonist was not mad.

Story 8 – Monster by Elizabeth Macneal

This isn’t really a ghost story, at least I don’t really think so. It’s about a man who wants to discover a new type of dinosaur, but gets a boy killed in the process. He then goes mad, thinking that the dinosaur is the boy, and vice versa. This is a story with a definite unreliable narrator. I think this is my least favorite story, mostly because it’s not very haunted, it’s more like you’re in the mind of an insane person, which can be scary, but it’s not my cup of tea. I did like the atmosphere of the stormy coast though!


And those are my thoughts! I definitely recommend this anthology for a cozy winter night. This book also makes me want to check out the other works of each author.



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Book Review – Myth & Magic: Queer Fairy Tales

Myth and Magic: Queer Fairy Tales by Radclyffe

My rating: 3 of 5 stars

Myth and Magic by Radclyffe


Myth and Magic: Queer Fairy Tales is a collection of queer fairy tale retellings written by queer authors. The stories are all based on well-known tales: Snow White, Jack and the Beanstalk, The Snow Queen, Cinderella, and others we all know. Some of the retellings are pure fantasy, while others border more on magical-realism.

As any of you who read my reviews know, I love me my fairy tale and folklore retellings. When I saw this collection recommended to me on Scribd, I was so happy. Now, I realize I gave this book 3 stars, but that’s only because I didn’t like every single story that was in it. But the ones I did like, I really really liked.

I think my favorite stories were the ones based on Jack and the Beanstalk, The Princess and the Frog, Sleeping Beauty, and I really liked the story based on The Red Shoes – it was so sweet, and definitely one of my favorite fairy tales in general.

The ones I didn’t like I think I didn’t like either because I wasn’t a fan of the author’s writing style, or because some of them dealt with sex in their story in a way that just wasn’t for me. However, they will definitely be for someone else, which is why I urge everyone to check out this book!

I don’t think there’s much more to say about this book, except that it was a super fun read, and, again, I love me some fairy tale retellings. And, in my opinion, reading queer fairy tales is the best thing to do during Pride month! I recommend this book to everyone, but especially those who want a bit of fantasy and love mingled in their life.



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Weird Woods – An In-Depth Review

Weird Woods by John Miller

As promised, here is a more in-depth review of the anthology Weird Woods: Tales from the haunted forests of Britain. Below I briefly discuss each story in this collection, and seeing how the forests are portrayed in each, and whether or not I think they were portrayed well.

The first story, “The Whisper in the Wood” by Anonymous, is really one of the only stories in this collection that gives the atmosphere of a haunted forest. Essentially, a man goes into the woods where he hears strange voices on the wind, and a gnarly tree that holds him there in the forest long enough to find the corpse which the disembodied voice belonged to. I think one reason this is very much more of the haunted woods genre than the others is because it was written in the 19th century, when the sublime and the preternatural took up the minds of such authors.

“Man-Size in Marble” by Edith Nesbit is indeed somewhat of a ghost story, but really has nothing to do with the woods, except maybe to establish where the story takes place. However, the antagonizing powers in this story have nothing to do with woods or trees, rather they are involved with statues and graves, the opposite of trees.
To be honest, I am not sure why this story has been included in this anthology all about the woods.

“The Striding Place” by Gertrude Atherton is not about a haunted forest, but it is about the dangers that the woods can possess. Here the danger is a stream in Strid Wood (Yorkshire Dale), which can be treacherous to cross. In this story our protagonist envisions horrors that have taken place in this wood, the deaths caused by the stream. Whether these visions are of his imagination or are real omens are not specified.
I am happy this was included in the collection, as stories about dangerous parts of nature are often what end up as a major part of folklore.

E.F. Benson takes a more mythological approach to the forest in his story “The Man Who Went Too Far.” In this story, the central character has decided to become one with nature, taking his desire so far as to come close to meeting the god of nature himself, Pan. However, he realizes that meeting and communing with Pan could mean death.
There are so many woodland folktales about goat men, and Benson takes us right to its mythological source. Not so much a haunting of the woods, but a going back to a more primeval version of nature, which is why this story is so apt for this collection.

Have you ever walked in the woods and come upon a tree so unusual and captivating that you must know all about it – every root and twig? W.H. Hudson’s “An Old Thorn” focuses on such a tree that captures the interest, and perhaps the lives, of several different people. It stands in its place forever as a godlike being.
While a tree is the main focus, the descriptions of said tree were a bit lost on me – I could not really picture it, though perhaps that adds more to the mystery.

“The White Lady” by Elliot O’Donnell is indeed a ghost story, but the portrayal of the woods and trees is not really the main focus. A young man sneaks out in the middle of the night to catch a glimpse of a ghost called “the white lady.” In order to see her, he must hide in a hollow tree, which is really the extent that we see any appearance of a forest or a tree.
It’s a fun story, but not really one that I would’ve picked for this collection, simply because the woods are not a focal point.

“Ancient Lights” by Algernon Blackwood is the one story of this collection that feels the most folkloric. In this story, a man on his way to a large house gets lost in the forest on the edge of the property. The thing is, though, this is not a forest one would expect to get lost in: it’s small, and at first glance you can see the house beyond it. But there are powers in the forest, powers of the trees and perhaps of the wee folk, that are determined to turn the man this way and that, making him completely lose his way.
Besides tales of the goat man, fairy stories are at the pinnacle of woodland folklore, and I am sad that more of those were not included in this collection.

Mary Webb’s “The Name Tree” doesn’t focus on a forest, but it does focus on a tree, specifically what she calls a “name tree”, which the main character is drawn to. This tree is also a representation of her life, and when a man desires to have this young woman sexually (and indeed beneath her own name tree!), she refuses, as she nor the tree could belong to anyone. But dire circumstances force her hand, and she submits to this man under her tree. During their sexual encounter, he breaks the tree, thus also ending her life.
This is a piece of folklore I would very much like to know more about, and if there is such a tradition in history. That a tree could be the vital force of an individual, it is almost a fairy story, but somehow seems to go much deeper than that.

Just like “An Old Thorn,” “The Tree” by Walter De La Mare focuses on a single tree that captures the minds of the main characters. This tree seems to bring its own climate, its own ecology, though it all seems alien, even unalive to the protagonist. And yet, he cannot get the tree and its creatures out of his mind.
I think this story would have been more interesting to me if I had understood the philosophy behind it. I like the premise of a sort of alien tree that is its own world, but I need to understand its effects on the characters better.

“He Made A Woman” by Marjorie Bowen is a retelling of a Welsh folktale from the Mabinogion, in which the woman Blodeuwedd is created to be the wife of the Welsh hero Llew Llaw Gyffes. In this retelling, a young man stays at the home of a scholar, who has there also a young woman named Blodeuwedd. The young man falls in love with her, how she connects to the forest, and seems to come from it, like a fairy creature. However, in the end as he tries to embrace her, Blodeuwedd vanishes and all that is left is an oak flower, a twig of broom, and a cluster of meadowsweet, the ingredients used to create her.
I am glad this tale was included in Weird Woods as so much of Welsh mythology has to do with and takes place in the woods. I am reminded of when king Pwyll meets Arawn, the god of death, in the woods, and I am tempted to do a retelling of this myself.

“A Neighbor’s Landmark” by M.R. James is indeed about a haunted forest, though the story tells of it more than tells of an experience within it. Betton Wood is a forest that no one will enter, that carries shrieks and cries on the wind. Even at the end of this story, the woods are still a mystery.
I think with more of an experienced telling this would have been a better story. However, its themes did remind me of stories like Naomi Novik’s Uprooted.

And the last story, “N” by Arthur Machen, explores the liminality that trees provide in so many folktales. It is reminiscent of a sort of NeverNeverLand, exploring the way forests and trees can represent an eternal childhood.
I really only have one comment for this story: needs more trees.

As I said in my initial review of Weird Woods, I was expecting much more folklore than was given. However, as I discussed above, there are individual stories that do exude folklore and the darker aspects of mythology. I don’t know that I would recommend this to anyone for folklore purposes, but to get a sense of how authors, and really everyday people, view nature in Britain.

If, however, you want something more folkloric, check out English Folktales, or any of those that revolve around the wee folk, and Welsh folklore. These are guaranteed to have woodland folklore.

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Book Review – Weird Woods, Tales from the Haunted Forests of Britain

Weird Woods: Tales from the Haunted Forests of Britain by John Miller

My rating: 3 of 5 stars

Weird Woods by John Miller


I picked up Weird Woods because, if you do not know already, I am a huge fan of folklore and hauntings. From the description, I had expected to find folktales about Britain’s forests, sort of the origins for all the haunting stories we know and love. Basically I expected it to be more like The Book of English Folktales by Sybil Marshall. Instead, this book is an anthology of short stories that are set in haunted British forests or have something to do with trees, and are written by popular authors of this genre from about the early 20th century (some late 19th).

So, while I did enjoy most of the stories generally speaking, I was a bit disappointed at the lack of actual folklore, and that is why I have given this book only three stars.

Nonetheless I loved the dark atmosphere of all the stories, the gnarly roots of the forest, and the trees that seem to be guiding the protagonists to either happiness or misery, depending on their mood and on the attitude of the hero.

I recommend this book to those who want ghost stories, but, to those who prefer more folklore, this may not be the book for you.

I will be discussing the stories in-depth next week on my Patreon, so please do check it out if you want to see my extra analysis!

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